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Esports Entertainment Group $GMBL – Esports Trends in 2019: From Mobile Esports to Endemic Partnerships $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 3:57 PM on Thursday, January 10th, 2019
SPONSOR: Esports Entertainment $GMBL Esports audience is 350M, growing to 590M, Esports wagering is projected at $23 BILLION by 2020. The company has launched VIE.gg esports betting platform and has accelerated affiliate marketing agreements with an additional 42 Esports teams, bringing total to 176 Esports teams. Click here for more information
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Esports Trends in 2019: From Mobile Esports to Endemic Partnerships

  • China to tighten control on video games
  • Southeast Asia (SEA) esports will rise in 2019
  • Esports venues will continue to develop around the world
  • College competitive video gaming is becoming more popular in North America
  • The future of mobile esports in 2019
  • Esports players will be featured in more marketing campaigns by non-endemic companies
  • Steam won’t be the only leading marketplace for video games in 2019

At the beginning of the year, marketing intelligence firm Newzoo released a list of trends focusing on the gaming and esports landscape in 2019. The company covered topics as diverse as the rise of digital stores, China’s regulatory clamp-down on the gaming industry, and the intensifying frequency of partnerships between non-endemic brands and esports competitors.

Newzoo’s trends to watch in 2019. Photo credit: Newzoo trends.

China’s Ethics Committee Takes an Aim at the Video Gaming Industry

At the end of 2018, a newly-set regulatory body in China, the Ethics Game Committee, issued recommendations to several high-grossing games in the country, outlining issues with the “morality and values” propagated by the titles that had made it on the list.

While not banning the games outright, as clarified by The Esports Observer (TEO), the Committee charted a course for 2019 where the government would have a much greater say in what games arrive on the market. As a result, companies will have to either adapt.

Domestic tech giants, such as Tencent, are already thinking of avoiding part of these regulations by setting-up a digital store in Hong Kong and selling their games abroad. The newly-outlined provisions will also force the hand of foreign developers to either adjust their titles or focus on other emerging and well-developed markets, such as Southeast Asia, Japan, South Korea and the established bastions of gaming to the West.

The Rise of Southeast Asia (SEA) Gaming

Southeast Asia (SEA) is going to prove a particularly vibrant market with the global audience reaching 31.9 million, according to Newzoo. Malaysia already played host to one of the largest Dota 2 events in 2018, The Kuala Lumpur Major, as part of the new competitive season for the popular MOBA title.

“Southeast Asia (SEA) boasts the fastest-growing esports audience, which will reach 31.9 million in 2019.” – Newzoo Click To Tweet

Places like Malaysia are marked by a strong grassroots community with organizations such as Geek Farm successful launching teams across multiple high-grossing titles, including PlayerUnknown’s Battlegrounds (PUBG), Dota 2 and mobile esports games, such as Mobile Legends: Bang Bang. Streaming is also a popular segment in SEA where entire esports communities are formed in social media around the idea of sharing streams in pursuit of recognition.

According to Newzoo, up and coming titles in the region include games, such as Hearthstone, NBA 2K and Tekken 7. Another important development in the region is the arrival of the 2019 Southeast Asian Games which will introduce esports as a medaled discipline.

There is a lot of untapped potential in SEA that western companies and event organizers are only now beginning to realize. Again, in Asia, the MMA League ONE has decided to expand into esports, vowing to run multiple events across Asia, drawing on its expertise in organizing large competitions.

Building Esports Venues Is Gathering Steam

The idea of esports arenas where fans can attend in person has been gaining traction, fast-tracked by organizations such as the Overwatch League (OWL) and even the Call of Duty World League (CWL). Official competitive events part of the LoL World Championship and Dota 2 International has attracted significant interest, but it’s league formats as the OWL and CWL that are changing the game by creating permanent locations for fans to flock to during competitive seasons and in the interim periods.

We want to say thank you to the #HyperXFamily and VIP guests of #CES who joined us during tonight’s mixer! #HyperXESALV pic.twitter.com/qbxgA5YWEx

— HyperX Esports Arena Las Vegas (@HyperXESALV) January 10, 2019

In 2018, the HyperX Esports Las Vegas Arena at the Luxor became one of the first venues to offer both a place for competitive gameplay and spaces for gamers of varying skill levels to interact. Apart from the fully decked-out arenas, HyperX unveiled its Esports Truck arena, mobile venue caring high-quality gear and a dedicated broadcasting studio.

Full Sail University’s $6-million arena project in Florida will be the largest arena for collegiate esports. Click To Tweet

Esports venues are not built just by game developers and leagues. Full Sail University’s $6-million arena project in Florida will be the largest arena for collegiate esports. Full Sail University is part of the National Association of Collegiate Esports (NACE).

The Esports Insider recently reported on the expansion of Asia’s largest esports café brand in central London, with the news exciting some mutually-exclusive opinions.

Collegiate Esports Seem to be on a Fast-Track to Success

Collegiate esports are another fast-developing culture in North America. NACE has so far signed over 100 institutions of higher learning, fielding competitors among multiple competitions, including Overwatch, League of Legends, and most recently Hi-Rez Studios’ SMITE and Paladins.

Universities have been quick to develop their varsity programs, introducing a number of opportunities for those interested in esports as a competitive format and those keen on assuming a managerial role within the industry.

Some universities are already stepping up their game by attracting top gaming talent, such as Philadelphia Fusion’s Overwatch player Joe “Joemeister” Gramano signing up with Harrisburg University as their Overwatch coach.

Mobile Esports in 2019

According to Newzoo, the mobile experience will become far more engrossing in 2019, creating even more engaging titles. So far, some of the most popular games on mobile to qualify as esports have been:

  • Mobile Legends: Bang Bang
  • Arena of Valor
  • Honor of Kings
  • Fornite
  • PUBG
  • Clash Royale
  • Clash of Titans

Admittedly, not all of these titles are excessively popular, although Fortnite iOS raked in nearly $455 million in 2018 alone in terms of game revenue. The game pulled off $69 million in December (although that number clearly fluctuated throughout 2018), Sensor Tower reported recently.

Arena of Valor is another title that left its mark on 2018, with 1.120.455 people watching the Arena of Valor International Championship 2018, as per Esports Charts’ data.

Meanwhile, Supercell’s Clash Royale and Clash of Titans have been expanding their communities, although the preferred choice of entertainment (from esports standpoint) has been Clash Royale. The game already features 44 esports organizations worldwide, which has landed it traction and despite the fairly fresh concept of “mobile esports” in the West, the segment has been doing just fine.

In 2018, Blizzard announced Diablo Immortal and stated their plans to launch every game they have for mobile. While the news wasn’t particularly well-met, by Blizzard fans especially. Neverhtless, the company seems confident in pushing ahead with its mobile ambitions. Meanwhile, Diablo Immortal’s official trailer must be one of the most down-voted game teasers in history (at least on YouTube).

More Player Branding Partnerships Arriving in 2019

“RAMZES doesn’t have enough facial hair to be the face of Gillette” – Roman Dvoryankin, Virtus Pro Manager

In 2018, we saw League of Legends player Uzi become part of the Nike Chinese “Dribble &” marketing campaign alongside mainstream athletes such as LeBron James. Dota 2 Virtus.Pro’s Alexey “Solo” Berezin was featured in a Head & Shoulders campaign while teammate Roman “RAMZES666” Kushnarev was the face of a new Gillette commercial.

Source: https://www.gamblingnews.com/news/esports-trends-in-2019-from-mobile-esports-to-endemic-partnerships/

Esports Entertainment Group $GMBL – Twitch Sees Significant Growth From In Real Life Streaming in 2018 $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 10:41 AM on Monday, January 7th, 2019
SPONSOR: Esports Entertainment $GMBL – Esports audience is 350M, growing to 590M, Esports wagering is projected at $23 BILLION by 2020. The company has launched VIE.gg esports betting platform and has accelerated affiliate marketing agreements with an additional 42 Esports teams, bringing total to 176 Esports teams. Click here for more information
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Twitch Sees Significant Growth From In Real Life Streaming in 2018

By The Numbers

  • Total Hours Watched in 2018: 540M (IRL and Just Chatting).
  • Total Hours Watched in 2017: 207.96.
  • Most-Watched Day: June 3 with 2.43M hours watched.
  • Peak CCV: 159.69K on May 29 when Bethesda released a Fallout teaser on its official channel.
  • Most-Watched IRL Channel: Chance “Sodapoppin” Morris with 49.85M hours watched.
  • Most-Watched Just Chatting Channel: Chance “Sodapoppin” Morris with 8.26M hours watched.

Max Miceli

Twitch’s  “In Real Life” or “IRL” category experienced a huge re-work in the fall of 2018 as the platform realized that more streamers were not only using it, but using for a plethora of different reasons.

At the end of September, the category was divided into several new categories including “Just Chatting,” “Sports and Fitness,” “Special Events,” “Food & Drink,” and “Talk Shows & Podcasts.” Before that point, IRL content on Twitch consistently drew some of the strongest viewership week-to-week in 2018 and regularly competed with some of the most-watched games on the platform.

Despite the division of one of Twitch’s most-watched categories, the momentum of IRL wasn’t stalled. If anything it served as a catalyst for its growth. As soon as IRL was divided, “Just Chatting” emerged as one of the most popular forms of content. Streamers regularly began streams by “Just Chatting” with their viewers before they started to get into whatever game they were playing.

Some streamers like Chance “Sodapoppin” Morris even began to expand the scope of what the category could be, and despite just three months of existence, the Just Chatting category on Twitch managed to sneak into rankings as one of the top 10 most-watched types of content for all of 2018. When combined with the success of IRL prior to it’s extinction, the two personality-driven forms of content made up 540M hours watched on Twitch, enough to be the third most-watched category on the platform.  

It wasn’t solely Just Chatting that saw use on the platform either. While Just Chatting was by far the most used subcategory, the other 12 categories that were born from IRL elicited airtime from streamers.

Year-Over-Year

Even though IRL was removed from Twitch on Sept. 26, its 388M hours watched was enough to deliver a massive year-over-year net positive for the category. Without even existing the last three months of the year, IRL had around 180M more hours watched in 2018 than it did in 2017 (207.96M). In just three months, the Just Chatting category alone drew 151.17M hours watched.

The exponential growth of IRL justified its division into sub-categories, but even after the split, Just Chatting averaged more hours watched per month than IRL. As more streamers look to grow their viewership by maintaining interactive communities, the necessity to “just chat” with subscribers and fans has become increasingly important.

Unlike many forms of entertainment, Twitch is most known for its game-driven content and its interactive interfaces. The maturation of Just Chatting and IRL is the most tangible sign of Twitch’s continued growth. Despite its short life, viewership for Just Chatting notably increased in 2018. That was paired with a significant increase in total airtime as well—a sign that influencers are aware of the trend.

Influencer Impact 

IRL is all about the influencer; there isn’t much in the way of esports that comes with “real life” content unless its a Twitch personality giving their thoughts about a recent gaming tournament. Morris seems to have mastered the art of interacting with his viewers in a unique and personal way that keeps them coming back. Not only was he the most-watched IRL streamer, but he led the Just Chatting category once it came into existence. In fact, his channel accounts for eight of the top ten IRL or Just Chatting sessions in 2018.  

As more streamers continue to use Just Chatting—as well as Twitch’s other non-game specific channels—as a way to interact with their chatroom and grow a sense of community among viewers, the opportunity for personal growth and increased sponsorships will proliferate throughout the platform.

While the battle royale craze and Fortnite  have dominated Twitch in 2018, the life of any specific game as a form of personality streaming content is historically limited. As Twitch evolves, the personalities that thrive are the ones that are able to adapt and maintain viewership with their personality—not just their skill at a specific game. This new category’s success and rapid growth are an indication that streamers are becoming privy to the opportunities that are associated with…well…just chatting.

Source: https://esportsobserver.com/twitch-irl-2018/

Esports Entertainment Group $GMBL – Five predictions for the #esports industry in 2019 $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 3:46 PM on Friday, January 4th, 2019
SPONSOR: Esports Entertainment $GMBL Connecting global leading educators to the mass population of India. BetterU Education has ability to reach 100 MILLION potential learners each week. Click here for more information

Mobile esports on the rise

  • These days, you can pick up your mobile phone and play against other people in real time – all you need is a decent internet connection.
  • This is a major part of why mobile esports is on the rise and why many predict it will take off in a huge way in the not-so-distant future.

Five predictions for the esports industry in 2019

By Adam Fitch -January 4, 2019

2018 is over, and nobody will deny that it was a ridiculous year for the esports industry. Celebrity investors, new competitions, almost-unbelievable organisation valuations, and a plethora of incredible game play have all made it a year to remember, but what’s to be expected in 2019?

Here at Esports Insider we cover the business side of esports so, naturally, our predictions will be based on such. Of course, we’d love to speculate on how Astralis will fare in CS:GO in the new year and whether the FGC will ever stop squabbling or not, but business is what we live and breathe.

Let’s get into our five predictions for the esports industry in 2019!

Overwatch League troubles?

Activision Blizzard has brought in eight new investors to own expansion teams in the Overwatch League at $30-60 million a piece, but things aren’t perfect. A vocal portion of esports fans think the game is too hectic to follow (which could well make the game less accessible to new viewers), average viewership – excluding China and potential bots – declined steadily over the course of the inaugural season, and the developer is fully in control of everything that happens in the competition which is a scary prospect.

Overwatch League

A slew of inappropriate behaviour and, subsequently, suspensions were present in the first season of the premier Overwatch competition, which isn’t attractive to sponsors. The OWL has acquired a roster of prominent sponsors and secured a ludicrous amount of money at the same time – but what happens if they decide to drop out? How easy will it be to acquire new sponsors if everything isn’t as great as it’s being portrayed?

The second season of the Overwatch League kicks off on February 14th, and we feel as if it’ll be pivotal. If the aforementioned problems are addressed as much as possible and faith in the game is restored in those who have become disillusioned in it, then things could be OK for the foreseeable future. If not, then franchise owners could well start to feel a little iffy about the future of their trusty investments.

Battle Royale remains relevant

2018 was undoubtedly the year of the Battle Royale genre. With PlayerUnknown’s Battlegrounds and Fortnite both having their fair share of the limelight in terms of player base and viewing figures, the genre was truly put on the map in a casual basis; it’s had a harder time from a competitive viewpoint, however. From H1Z1 Pro League coming and going, PUBG’s dwindling popularity, and Epic Games’ questionable esports efforts, there’s plenty of room for the genre to grow when competition is involved.

We predict that Battle Royale titles will continue to thrive in 2019 – with games similar to Call of Duty’s Blackout being released and making a wave in the market, albeit briefly – but people will still argue over the genre’s status as a legitimate competitive format. PUBG Corp. is launching six Pro Leagues with three additional pro circuits and Epic Games still has millions of dollars to give out over the course of the year, so it’s an interesting time for the industry.

Traditional sports clubs continue to invest

Over the last couple of years there have been a number of trends in the esports industry, many of which aren’t as significant as traditional sports clubs and their involvements in video games. Whether it’s straight-up acquiring majority shares in organisations (such as OpTic Gaming and compLexity Gaming), investing and partnering with local companies (Pittsburgh Knights and the Pittsburgh Steelers, most recently), or entering the scene through a safe route (football teams expanding into FIFA, for example), there’s been an abundance of instances in recent times.

Pittsburgh Knights joins forces with Pittsburgh Steelers

It’s hard to imagine this will slow down. With that being said, if a bunch of clubs that have already invested decide to back out of esports now as is hasn’t been immediately fruitful monetarily, then it may heed a warning for those looking for a quick cash-grab. This isn’t a bad thing for the esports industry at all, though. In 2019, we expect to see more and more crossover between traditional sports and esports when it comes to ownership of organisations and teams.

Mobile esports on the rise

These days, you can pick up your mobile phone and play against other people in real time – all you need is a decent internet connection. This is a major part of why mobile esports is on the rise and why many predict it will take off in a huge way in the not-so-distant future.

When we attended the Clash Royale League World Finals in Tokyo, Japan, we saw a potential glimpse into the future. Not too different from esports as we currently know it, the arena was filled with impassioned fans that were happy to pay to see the best players in the world compete.

Accessibility is a huge factor in the attractiveness of mobile esports, but titles such as Clash Royale have proven that mobile games don’t need to merely be a portable version of PC titles. MOBAs such as Dota 2 and League of Legends are undeniably popular and so it’s understandable that mobile versions of the genre are flooding the scene, but originality may well trump all. We truly think we’ll find out more in regards to this theory in 2019.

Course corrections

Even as valuations for organisations and companies continue to rise, it hasn’t all been smooth sailing in 2018. Echo Fox announced that it would undergo an organisational restructure in October to better position itself for profitable and sustainability in the future – releasing its Call of Duty and Gears of War rosters, as well as fighting game competitors and other select players.

On a bigger scale, Infinite Esports and Entertainment – the parent company of OpTic Gaming, Obey Alliance, the now-defunct Allegiance and a host of supporting companies – released a whole host of staff members around the same time as Echo Fox. Growing too fast was where blame was placed, following a rapid expansion and a suite of acquisitions following the majority share sale of OpTic Gaming in November 2017.

We wouldn’t be surprised to see this happen at other prominent companies and organisations in the upcoming year, too. Spend is ridiculously high when you occupy spots in League of Legends and the Overwatch League, player demands are ever-growing, and contract buyouts are nearing unfathomable heights. Sometimes you have to take a step backwards to move forward in a stronger state, and it should be expected as the industry edges towards a potential bubble.

Source: https://esportsinsider.com/2019/01/5-predictions-esports-2019/

Esports Entertainment Group $GMBL Appoints Alan Alden, General Secretary of Malta Remote Gaming Council, To Board of Directors

Posted by AGORACOM-JC at 10:09 AM on Friday, January 4th, 2019
  • Announced the appointment of Alan Alden to the Board of Directors
  • Mr. Alden has been a specialist in advising remote gaming companies located in Malta since 2000, when he advised the first remote gaming companies as the Senior Manager of Enterprise Risk Services at Deloitte & Touche (Malta)

BIRKIRKARA, Malta, Jan. 04, 2019 — Esports Entertainment Group, Inc. (GMBL:OTCQB) (or the “Company”), a licensed online gambling company with a specific focus on esports wagering and 18+ gaming, is pleased to announce the appointment of Alan Alden to the Board of Directors.

Mr. Alden has been a specialist in advising remote gaming companies located in Malta since 2000, when he advised the first remote gaming companies as the Senior Manager of Enterprise Risk Services at Deloitte & Touche (Malta).  In 2006 Alan set up Kyte Consultants Ltd, a company that specialised in the remote gaming and payment card sectors, to assist companies located in Malta. In 2009, Alan became a founding director in Contact Advisory Services Ltd, a licensed Company Service Provider (CSP) that offers a complete service to its customers, from company incorporation, to licensing for gaming and financial institutions.

Since 2010, Alan has served as the General Secretary of the Malta Remote Gaming Council. Alan is a certified CISSP and CISA. Alan was also the founding President of the ISACA Malta Chapter between 2005 -2008. In 2015, Alan became a Part Time Lecturer on IT Auditing at the University of Malta. 

Mr. Alden stated, “I am very pleased to have been offered this opportunity by Esports Entertainment Group, as they are an ambitious company with vision, a solid strategy and an exciting and unique product offering. I look forward to working with the team and hope I am able to assist them in achieving their objectives.”

Grant Johnson, CEO of Esports Entertainment Group stated, “Alan’s experience in finance, Gambling and regulatory matters make him uniquely qualified as a board member for our company. We are excited to have him join our Board, as he will be a major asset in our future plans.”

ABOUT VIE.GG

vie.gg offers bet exchange style wagering on esports events in a licensed, regulated and secured platform to the global esports audience, excluding jurisdictions that prohibit online gambling. vie.gg features wagering on the following esports games:

  • Counter-Strike: Global Offensive (CSGO)
  • League of Legends
  • Dota 2
  • Call of Duty
  • Overwatch
  • PUBG
  • Hearthstone
  • StarCraft II 

This press release is available on our Online Investor Relations Community for shareholders and potential shareholders to ask questions, receive answers and collaborate with management in a fully moderated forum at https://agoracom.com/ir/EsportsEntertainmentGroup

Redchip investor relations Esports Entertainment Group Investor Page: 
http://www.gmblinfo.com

About Esports Entertainment Group

Esports Entertainment Group, Inc. is a licensed online gambling company with a specific focus on esports wagering and 18+ gaming. Esports Entertainment offers bet exchange style wagering on esports events in a licensed, regulated and secure platform to the global esports audience at vie.gg.  In addition, Esports Entertainment intends to offer users from around the world the ability to participate in multi-player mobile and PC video game tournaments for cash prizes. Esports Entertainment is led by a team of industry professionals and technical experts from the online gambling and the video game industries, and esports. The Company holds licenses to conduct online gambling and 18+ gaming on a global basis in Curacao, Kingdom of the Netherlands and the Kahnawake Gaming Commission in Canada. The Company maintains offices in Antigua, Curacao and Warsaw, Poland. Esports Entertainment common stock is listed on the OTCQB under the symbol GMBL.  For more information visit www.esportsentertainmentgroup.com.

FORWARD-LOOKING STATEMENTS
The information contained herein includes forward-looking statements. These statements relate to future events or to our future financial performance, and involve known and unknown risks, uncertainties and other factors that may cause our actual results, levels of activity, performance, or achievements to be materially different from any future results, levels of activity, performance or achievements expressed or implied by these forward-looking statements. You should not place undue reliance on forward-looking statements since they involve known and unknown risks, uncertainties and other factors which are, in some cases, beyond our control and which could, and likely will, materially affect actual results, levels of activity, performance or achievements. Any forward-looking statement reflects our current views with respect to future events and is subject to these and other risks, uncertainties and assumptions relating to our operations, results of operations, growth strategy and liquidity. We assume no obligation to publicly update or revise these forward-looking statements for any reason, or to update the reasons actual results could differ materially from those anticipated in these forward-looking statements, even if new information becomes available in the future. The safe harbor for forward-looking statements contained in the Securities Litigation Reform Act of 1995 protects companies from liability for their forward-looking statements if they comply with the requirements of the Act.

Contact:

Corporate Finance
1-268-562-9111
[email protected] 

Media & Investor Relations Inquiries
AGORACOM 
[email protected]
http://agoracom.com/ir/eSportsEntertainmentGroup

U.S. Investor Relations 
RedChip 
Dave Gentry
407-491-4498
[email protected] 

Esports Entertainment Group $GMBL Opens New Global Headquarters In Malta, Hires Two Key Executives $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 8:36 AM on Thursday, January 3rd, 2019
  • Announced the hiring of two key executives and the opening new global headquarters in Malta.
  • Malta was chosen due to its strategic location within the European Union, as well as, access to a highly educated and multi-lingual workforce, especially in the fields of online gambling. 

BIRKIRKARA, Malta, Jan. 03, 2019 — Esports Entertainment Group, Inc. (GMBL:OTCQB) (or the “Company”), a licensed online gambling company with a specific focus on esports wagering and 18+ gaming, is pleased to announce the hiring of two key executives and the opening of our new global headquarters in Malta.

Malta was chosen due to its strategic location within the European Union, as well as, access to a highly educated and multi-lingual workforce, especially in the fields of online gambling.  The Malta office launch includes two (2) key executive hires and will serve as the new global headquarters of the Company, with additional personnel expected to be added through 2019 as the Company ramps up development of its esports betting operations through vie.gg, the world’s first and most transparent esports betting exchange.

NEW ADDITIONS TO EXECUTIVE TEAM

The Company is pleased to announce the hiring of the following two key executives:

Adrien J. Lefèvre – Chief Risk & Compliance Officer

Adrien has served as a Compliance Officer, including Regulatory Compliance Officer and Money Laundering Reporting Officer in the gaming industry since 2015, including his most recent position with The Multi Group Ltd.  He will be responsible for creating an integrated risk framework, assess risk, quantify risk limits, develop plans to mitigate risks and manage any new license applications in any regulated jurisdictions.  His extensive experience at all levels of compliance will be invaluable as Esports Entertainment Group pursues additional gambling licenses in 2019 to further strengthen its market position and rapidly expand into new geographic regions.

Jenny Pace – Head Of Payments

Jenny has specialized in payments processing for almost 25 years, including her most recent position as Country Manager and Director of Western Union Business Solutions in Malta since 2009, where she maintained full leadership and operational control.  Her list of responsibilities will be extensive, including but not limited to, managing our relationships with banks, credit card companies and payment processors, as well as, insuring vie.gg provides its players with the most up to date payment options. Given the speed at which the payments world is changing, her extensive payments experience and industry relationships will be critical to the success of Esports Entertainment Group.

Grant Johnson, CEO of Esports Entertainment Group, stated, “The opening of our Malta office and the addition of our newest executives is a new milestone for Esports Entertainment Group. Malta is a full EU member nation that provides greater resources and the infrastructure necessary to continue our growth.  The addition of Jenny and Adrien significantly strengthens our regulatory and operational expertise.”

ABOUT VIE.GG

vie.gg offers bet exchange style wagering on esports events in a licensed, regulated and secured platform to the global esports audience, excluding jurisdictions that prohibit online gambling. vie.gg features wagering on the following esports games:

  • Counter-Strike: Global Offensive (CSGO)
  • League of Legends
  • Dota 2
  • Call of Duty
  • Overwatch
  • PUBG
  • Hearthstone
  • StarCraft II 

This press release is available on our Online Investor Relations Community for shareholders and potential shareholders to ask questions, receive answers and collaborate with management in a fully moderated forum at https://agoracom.com/ir/EsportsEntertainmentGroup

Redchip investor relations Esports Entertainment Group Investor Page: 
http://www.gmblinfo.com

About Esports Entertainment Group

Esports Entertainment Group, Inc. is a licensed online gambling company with a specific focus on esports wagering and 18+ gaming. Esports Entertainment offers bet exchange style wagering on esports events in a licensed, regulated and secure platform to the global esports audience at vie.gg.  In addition, Esports Entertainment intends to offer users from around the world the ability to participate in multi-player mobile and PC video game tournaments for cash prizes. Esports Entertainment is led by a team of industry professionals and technical experts from the online gambling and the video game industries, and esports. The Company holds licenses to conduct online gambling and 18+ gaming on a global basis in Curacao, Kingdom of the Netherlands and the Kahnawake Gaming Commission in Canada. The Company maintains offices in Antigua, Curacao and Warsaw, Poland. Esports Entertainment common stock is listed on the OTCQB under the symbol GMBL.  For more information visit www.esportsentertainmentgroup.com

FORWARD-LOOKING STATEMENTS
The information contained herein includes forward-looking statements. These statements relate to future events or to our future financial performance, and involve known and unknown risks, uncertainties and other factors that may cause our actual results, levels of activity, performance, or achievements to be materially different from any future results, levels of activity, performance or achievements expressed or implied by these forward-looking statements. You should not place undue reliance on forward-looking statements since they involve known and unknown risks, uncertainties and other factors which are, in some cases, beyond our control and which could, and likely will, materially affect actual results, levels of activity, performance or achievements. Any forward-looking statement reflects our current views with respect to future events and is subject to these and other risks, uncertainties and assumptions relating to our operations, results of operations, growth strategy and liquidity. We assume no obligation to publicly update or revise these forward-looking statements for any reason, or to update the reasons actual results could differ materially from those anticipated in these forward-looking statements, even if new information becomes available in the future. The safe harbor for forward-looking statements contained in the Securities Litigation Reform Act of 1995 protects companies from liability for their forward-looking statements if they comply with the requirements of the Act.

Contact:

Corporate Finance
1-268-562-9111
[email protected] 

Media & Investor Relations Inquiries
AGORACOM 
[email protected]
http://agoracom.com/ir/eSportsEntertainmentGroup

U.S. Investor Relations 
RedChip 
Dave Gentry
407-491-4498
[email protected] 

Esports Entertainment Group $GMBL – Ninja made almost $10 million in 2018 with #Fortnite #Esports $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 9:52 AM on Wednesday, January 2nd, 2019
SPONSOR: Esports Entertainment $GMBL Connecting global leading educators to the mass population of India. BetterU Education has ability to reach 100 MILLION potential learners each week. Click here for more information
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Ninja made almost $10 million in 2018 with Fortnite

He also made more than $500,000 “on a good month” of 2018.

  • Ninja is used to working in quantities of 10 million at this point. He became the first Twitch streamer to reach that number of followers in the platform in early August 2018, and has since amassed 2.8 million more.
  • He also has 20 million YouTube subscribers and said he has 60,000 Twitch subscribers in a recent video for Wired.

Bhernardo Viana

Screengrab via Ninja

Fortnite streamer and gaming star Tyler “Ninja” Blevins earned almost $10 million in 2018, he told CNN reporter Dave Briggs.

The streamer also said he loses “tens of thousands of dollars” when he’s not streaming, and that he earns “a lot more” than $500,000 “on a good month.” Ninja’s interview was published on Dec. 31, which makes these values the most accurate to assess the streamer’s financial success in 2018.

Ninja said most of the revenue he gets from streaming comes from ads, like the ones he rolls or the brands he shows on screen when he’s live playing the game. His monthly revenue also takes Twitch subscriptions into account, which vary between $4.99 to $24.99 per subscriber depending on how much each one chooses to pay every month.

Ninja is used to working in quantities of 10 million at this point. He became the first Twitch streamer to reach that number of followers in the platform in early August 2018, and has since amassed 2.8 million more. He also has 20 million YouTube subscribers and said he has 60,000 Twitch subscribers in a recent video for Wired.

Ninja’s earnings are a consequence of his ever-increasing popularity. He streamed Fortnite in Times Square for the ball drop on New Year’s eve, went to several TV shows in the second half of 2018, and shattered a Twitch concurrent viewers record on an individual channel when streaming with rapper Drake.

Ninja refrained from detailing how much he makes from every source of revenue he has today, but he said he has to be constantly streaming to avoid losing viewers, subscribers, and money as a consequence. 

He told CNN he streamed nearly 4,000 hours of Fortnite in 2018. 

Ninja’s earnings and popularity are still dependent on Fortnite’s popularity since it’s the only game he’s been streaming. Regardless of what the future holds for Ninja, he’s one of the most financially successful Twitch streamers of 2018.

Source: https://dotesports.com/culture/news/ninja-made-almost-10-million-in-2018-with-fortnite


Esports Entertainment Group $GMBL – Top 10 most viewed esports events of 2018 have been revealed $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 1:24 PM on Friday, December 28th, 2018
SPONSOR: Esports Entertainment $GMBL – Esports audience is 350M, growing to 590M, Esports wagering is projected at $23 BILLION by 2020. The company has launched VIE.gg esports betting platform and has accelerated affiliate marketing agreements with an additional 42 Esports teams, bringing total to 176 Esports teams. Click here for more information
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  • Unsurprisingly for some, the League of Legends World Championship was the biggest event of the year having attracted over 74.3 million viewers, which is 2.5 million more than last year’s iteration. 

The most popular esports events of 2018 have been revealed by the ESC (Esports Charts), with many old and established tournaments retaining strong interest despite the emergence of new games.

The figures, which are based on hours watched on both YouTube and Twitch, show which competitive esports games are more popular than others right now in terms of viewers. 

League of Legends, Dota 2 and Counter-Strike: Global Offensive dominate the most watched games chart according to these statistics, all boasting incredible numbers in various competitions. 

LOL ESPORTS The 2018 League of Legends World Championship stage.

Unsurprisingly for some, the League of Legends World Championship was the biggest event of the year having attracted over 74.3 million viewers, which is 2.5 million more than last year’s iteration. 

Just behind that was Dota 2’s ‘The International’, which massively grew in popularity in the space of a year – recording 52.8 million views, seeing an increase of 9 million since 2017. In third place, CS:GO’s ELEAGUE Major which was watched by 49.5 million across the world. 

The full table of statistics can be found in the table below: 

ESC ESC statistics, showing the most popular esports events of 2018.

Despite Epic Games’ attempts to raise the profile of Fortnite’s competitive events during the last 12 months, none of the game’s events made the list. 

The game’s popularity has not turned into huge success on the competitive scene yet, however, OpTic Gaming member Ian ‘Crimsix’ Porter believes that the game is moving in another direction. 

“In my opinion, they’ve [Epic Games] realized that their game will never be the most competitive, but it can be the most entertaining. So, they’re sticking to their guns in that regard.”

Source: https://www.dexerto.com/esports/top-10-viewed-esports-events-of-2018-267145

Esports Entertainment Group $GMBL – From #MichaelJordan to #Drake: The athletes and celebs who invested millions in esports in 2018 $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 12:57 PM on Thursday, December 27th, 2018
SPONSOR: Esports Entertainment $GMBL – Esports audience is 350M, growing to 590M, Esports wagering is projected at $23 BILLION by 2020. The company has launched VIE.gg esports betting platform and has accelerated affiliate marketing agreements with an additional 42 Esports teams, bringing total to 176 Esports teams. Click here for more information
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  • In case you missed it, esports are big business now and competitive gamers spent 2018 continuing to capture the attention (and the money) of the traditional sports world.

Tom Huddleston Jr

Rapper Drake greets Golden State Warriors star Stephen Curry following an NBA game in 2015. Dave Sandford | NBAE via Getty Images

In case you missed it, esports are big business now and competitive gamers spent 2018 continuing to capture the attention (and the money) of the traditional sports world.

The esports industry is on pace to bring in more than $900 million in revenue this year, and that number could reach as high as $2.4 billion by 2020, according to gaming research firm Newzoo. Competitive gaming has taken such a leap into the mainstream in recent years that even Wall Street giant Goldman Sachs is following the industry’s growth, with the firm recently predicting that, by 2022, the audience for esports will grow to 276 million people, putting it on par with the most popular traditional sports, including the NFL.

Unsurprisingly, the rapid growth of esports, and the vast amounts of money and exposure at stake, has attracted a great amount of interest from investors who want to get in on the action. Even before this year, several big names were already investing in esports companies and teams, including celebrities and athletes from traditional sports. Among them: Mark Cuban, NBA Hall of Famer Shaquille O’Neal, former MLB star Alex Rodriguez, high-profile NFL owners Robert Kraft and Jerry Jones, and celebrities like Ashton Kutcher, Tony Robbins, and Jennifer Lopez.

Those athletes, team owners and celebrities helped pave the way for more big names to join the ranks of esports investors in 2018, when everyone from Michael Jordan to Drake was looking to pump more money into the industry.

Here’s a look at some of the biggest athletes and celebrities who invested in esports in 2018: Michael Jordan

Jordan is a basketball legend and the current principal owner of the NBA’s Charlotte Hornets. With a fortune that Forbes estimates is worth nearly $1.7 billion, Jordan is an active investor in the worlds of sports and technology. He owns a minority stake in the MLB’s Miami Marlins and, in the past two years, he’s invested in tech startups like smart headphones company Muzik and Gigster, the online platform for freelance web designers.

In October, Jordan took his first leap into the world of esports by leading a group of investors that put $26 million into the competitive gaming company aXiomatic Gaming, which owns the popular esports organization Team Liquid. (Jordan isn’t even aXiomatic’s only NBA connection, as the company’s co-executive chairman is Ted Leonsis, owner of the Washington Wizards, one of the teams Jordan played for during his NBA career.)

Jordan called esports “a fast-growing, international industry” in a statement at the time of his investment. Drake

Drake gave away the entire $1 million budget for his new music video

The Canadian rapper (whose real name is Aubrey Graham) is not only a Grammy-winning and charts-topping recording artist, he’s now also the co-owner of an esports team. In October, Drake teamed up with Scooter Braun (the Hollywood manager who represents stars like Justin Bieber and Ariana Grande) to invest an undisclosed amount of money in the esports organization 100 Thieves. With their investment, Drake and Braun also became co-owners of 100 Thieves, which fields esports teams that compete in games like “Call of Duty” and “League of Legends.”

Drake is no stranger to the gaming community, either. The rapper made waves in March, when he played “Fortnite” online with the massively popular gaming streamer Tyler “Ninja” Blevins — a live-streamed pairing that attracted more than 635,000 concurrent viewers on the Amazon-owned video game streaming platform Twitch. Stephen Curry and Andre Iguodala

Golden State Warriors teammates Stephen Curry (L) and Andre Iguodala (R) high-five during a December 2018 game. Scott Cunningham | NBAE via Getty Images

Curry might be a two-time NBA MVP, but his Golden State Warriors teammate, Andre Iguodala, is the team’s star when it comes to investing in startups. Iguodala, who Fast Company referred to as “the NBA’s ambassador to Silicon Valley,” has invested in tech startups like direct-to-consumer mattress company Casper while introducing his teammates to Silicon Valley bigwigs like Salesforce CEO Marc Benioff and venture capitalist Mary Meeker.

So, it’s no surprise that Iguodala and Curry both got involved in esports together for the first time in 2018. In July, the pair was part of a group that invested $37 million in the esports organization TSM, which was founded by 26-year-old gamer Andy Dinh and fields competitive gaming teams for games like “League of Legends” and “Fortnite.” Steve Young

Hall of Fame quarterback Steve Young. Leon Halip | Getty Images

NFL Hall of Fame quarterback Steve Young was also in on the $37 million TSM investment alongside Curry and Iguodala. (TSM said part of the funding it raised in July will go toward building a new 15,000-to-20,000-square-foot esports facility in Los Angeles.) Young is a prolific investor among ex-athletes, as the former 49ers star is a managing director of private equity firm HGGC, which oversees over $4 billion in investments. Sean “Diddy” Combs

Sean Combs is a rapper, known variously as Puff Daddy, P. Diddy, Diddy, Puff and Puffy. He was born in Harlem and raised by his mother, a schoolteacher living in public housing. , and the family relocated to Mount Vernon, just outside of the Bronx.Combs attended Howard University in Washington ,  D.C, while simultaneously interning at Uptown Records in New York City. The internship won out, and he dropped out of college to focus on Uptown, where he was instrumental in developing such R&B artists Getty Images

The rapper formerly known as Puff Daddy and P. Diddy jumped aboard the esports trend in November, when Combs joined a group of investors that provided $30.5 million in funding to PlayVS. Based in Los Angeles, PlayVS is an esports league that partners with high schools around the US to create an infrastructure that allows high school students to represent their schools in esports competitions while trying to land some of the growing number of collegiate scholarships now available for competitive gamers. Combs served as an angel investor in the funding round for PlayVS.

The November fundraising round actually came on the heels of a $15 million investment in PlayVS that the esports league picked up in June from a group of investors that included the San Francisco 49ers, Twitch co-founder Kevin Lin, and professional athletes such as former NBA player Baron Davis and Los Angeles Chargers player Russell Okung. Kevin Durant

 Kevin Durant #35 of the Golden State Warriors  Gregory Shamus via Getty 

Much like some of his Golden State Warriors teammates (Curry and Iguodala, above), Durant is an active investor in Silicon Valley startups. In fact, when Durant left Oklahoma City to sign with the Warriors in 2016, he also launched the Durant Company, his own personal startup for managing his tech industry investments, which include scooter company Lime and Postmates.

In February, Durant added an esports venture to his growing investment portfolio when he joined a group that invested $38 million in Vision Esports, an esports investment fund and management company co-founded by former NBA player and actor Rick Fox, MGM Resorts executive Chris Nordling, and the NHL’s San Jose Sharks minority owner Stratton Sclavos. Vision Esports owns the esports team Echo Fox as well as esports content creator Vision Entertainment and the video game record-tracking site Twin Galaxies. Other investors in Vision Esports include the New York Yankees, the St. Louis Cardinals, and Durant’s business partner, Rich Kleiman. Odell Beckham Jr.

Odell Beckham Jr. of the New York Giants Getty Images

The All-Pro New York Giants wide receiver also joined Durant in contributing to the $38 million fundraising round for Vision Esports in February. Beckham, who signed a record-breaking $95 million deal with the Giants in August, says he has been an avid gamer since childhood, and he even faced off against rapper A$AP Rocky in a marketing stunt for EA Sports’ “Fifa 19” recently.

Source: https://www.forbes.com/sites/oracle/2018/12/19/2018-the-year-the-database-went-autonomous/#28e2762b6bdc

Esports Entertainment Group $GMBL – No one mold for #Esports venues as arenas continue to grow $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 12:58 PM on Monday, December 24th, 2018
SPONSOR: Esports Entertainment $GMBL – Esports audience is 350M, growing to 590M, Esports wagering is projected at $23 BILLION by 2020. The company has launched VIE.gg esports betting platform and has accelerated affiliate marketing agreements with an additional 42 Esports teams, bringing total to 176 Esports teams. Click here for more information
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  • The first event held at the Esports Stadium Arlington, which is the newest and largest esports events center in North America.
  • It’s a $10 million, 100,000 square-foot facility built within the Arlington Convention Center that can seat anywhere from 250 fans to 2,500 fans depending on the event.

Arash Markazi ESPN Senior Writer

The convoy of cars pulling into the parking lot at Esports Stadium Arlington and the line of fans waiting to enter the building on the Saturday after Thanksgiving have taken the parking attendants at the connected Arlington Convention Center by surprise.

“Are you here for the football game?” the attendant asks.

“What football game?” the young driver responds.

“Texas Tech and Baylor,” the attendant says. “They’re playing at AT&T Stadium.”

“No,” the driver says as he pays $10 for parking. “I don’t like football.”

The bewildered look on the attendant’s face upon hearing that a young man from Texas doesn’t like football was similar to the reaction of many of the older ushers inside the Esports Stadium Arlington watching 2,500 fans cheering while watching the best Counter-Strike: Global Offensive players and teams in the world compete in the Esports Championship Series Season 6 finals.

It was the first event held at the Esports Stadium Arlington, which is the newest and largest esports events center in North America. It’s a $10 million, 100,000 square-foot facility built within the Arlington Convention Center that can seat anywhere from 250 fans to 2,500 fans depending on the event. It’s the newest addition to a region that is the home of AT&T Stadium, the $1.5 billion home of the Dallas Cowboys, and in 2020 will be the home of Globe Life Field, the new $1.1 billion home of the Texas Rangers, which are all located within a walking mile of each other.

“The convention center was in need of some physical enhancements and improvements, particularly in the technology area, and as we started to look at that we also saw the rapid growth of the esports industry,” said Jim Parajon, Arlington deputy city manager. “We are very thoughtful in the business decisions we make, and we do a significant amount of analysis, and once we complete that analysis, we’re ready to move forward as fast as we can, especially with these emerging industries.

“We’re not going to be in it in a little way. We’re going to be in it in a big way. I think you can see that with the Esports Stadium, AT&T Stadium and the new Rangers ballpark.”

The stadium isn’t really a stadium in the traditional sense compared to the billion-dollar homes of Cowboys and Rangers. It’s more of a remodeled convention center space complete with a built-in 85-foot long LED wall, eight team locker rooms, a player lounge and media room. There’s also a state-of-the-art production facility equipped with a studio, data center and control room. The front of the stadium features retail space, concession stands and a gaming center that is open from noon to 2 a.m. seven days a week where anyone can hop on a PC, Playstation 4, Nintendo Switch or Xbox One for one hour for $4 (or $100 for 100 hours).

“We looked at every need for esports from the community level to the player experience, and we took all of those needs and built it into one single footprint here in Arlington,” said NGAGE Esports president Jonathan Oudthone, who will help book and manage the events at the stadium. “We not only want to host events for thousands of people, but we want the gaming center to be a local community hub every day. We want to create an ecosystem for esports in which all these different focuses are existing in one building.”

Esports Stadium Arlington is just one of many esports-specific venues, big and small, popping up around the country. The rise of esports venues doesn’t come as a surprise to anyone who has been following it in recent years. The 2018 Global Esports Market Report estimates that global esports revenues will reach $1.4 billion by 2020 with the global esports audience reaching around 400 million.

In 2017, there were 588 major esports events that generated an estimated $59 million in ticket revenues, which was up from $32 million in 2016. The League of Legends World Championship alone generated $5.5 million in ticket revenues.

Populous, a global architectural firm that has worked on more than 50 venues for the NFL, MLB, NBA and NHL, helped bring Esports Stadium Arlington to life and is working on other esports venues around the country. While there is usually a set seating capacity for arenas and stadiums that floats around the average of professional sports leagues, Populous knows that’s not exactly the case with esports. The venues need to be adaptable to small crowds of 25, small tournaments of 250 and larger events such as the ECS with 2,500. The Astralis Counter-Strike: Global Offensive team celebrates after defeating MIBR to win the FACEIT Esports Championship Series Season 6 finals at Esports Stadium Arlington on Nov. 25 in Arlington, Texas. Photo by Cooper Neill/Getty Images

“About five years ago we started doing a lot of research that I’ve been leading on how we can connect with the esports audience and connect venues around that,” Populous senior principal and director Brian Mirakian said. “Esports is still very formational. There’s a lot more structure that’s happening with leagues such as the Overwatch League with their regional model, but it’s still a formational sport in terms of the different leagues and competitions. So the goal is to create a place where fans can gather for these social experiences and be with other fans. The live experience is a big driver in what the future of the sport is going to hold.”

The key from a cost and usage perspective is that none of the esports venues that are popping up around the country have been built from the ground up. They’ve been constructed within preexisting structures that have been previously used as convention halls, nightclubs, sound stages or movie theaters.

“Looking at it from an adaptive re-use perspective allows you to go into a building and frankly not have to invest as much as you would with a new build,” Mirakian said. “And because of that, in Arlington, they were able to really focus their investment on the fan experience and technology and do it in a fast-paced project that was over in six months from start to finish. It was quick and economical and I see that as a great template for people to get involved in this space. It will evolve and I think in the very near future you will see purpose-built venues developed from the ground up, but it takes time. This is really the start of things to come.”

The birthplace of esports venues in North America began at the corner of 5th Street and Sycamore Street in Santa Ana, California, which is one of the more interesting intersections in the country. On one corner is the historic brick-laced Ramona Building that has been the home of the Esports Arena for three years, and across the street is the Church of Scientology of Orange County.

“There’s not a lot of crossover,” Frank Kelley, the director of operations at the Esports Arena, said with a smile. “I don’t think we have the same demo.” The Esports Arena Santa Ana was the first rendition of the organization’s multiple venues on the West Coast. Since its opening, the Esports Arena in Las Vegas has opened its doors at the Luxor Hotel & Casino. Photo by Arash Markazi

Longtime friends Tyler Endres and Paul Ward, who would set up their computers at a friend’s house and play Halo 2 for hours in high school, founded the arena in the 15,000 square-foot warehouse that once housed quinceañera and wedding shops and now is home to more than 120 PCs and other game consoles. The idea was to give gamers like them a place to gather and play outside of apartments, garages and internet cafes where LAN parties had predominantly been held and to give leagues and organizers a dedicated esports venue to host their events.

“It’s cool to see what I’ve started is expanding,” Endres said. “I hope all these new esports venues succeed. It validates the industry and validates what I’ve done and helps create more of a demand. The success heavily relies on foot traffic and the events, which cost a lot of money to put on, and you’re not going to have a big event every week.”

With that in mind, Kelly, who used to be the general manager at the Improv comedy club in Irvine and later booked shows at The Observatory in San Diego and Orange County, is trying to book non-esports events such as comedy shows, podcasts and concerts at the Esports Arena on nights where the main stage isn’t scheduled to be used.

“With esports, you don’t have tournaments every night,” Kelley said, “so your main stage is not utilized on a nightly basis, and there’s all these dark periods where you could utilize it. And with my background, I want to fill the arena with top-notch entertainment on off nights with hard ticket sales and bring in a different demo than we normally get. In the future I’d like to merge entertainers with gamers to increase the popularity of esports, like we saw happen with Drake and Ninja.”

The biggest weekly event at the Esports Arena is “Wednesday Night Fights.” It’s a night dedicated to the fighting game community with open tournaments ranging from Street Fighter V to Marvel vs. Capcom. The weekly event is open to anyone willing to pay a $10 tournament entry free and was started by Alex Valle, who is the founder of Level Up, a production company that produces live streaming broadcasts at esports events.

“I think in the very near future you will see purpose-built venues developed from the ground-up, but it takes time. This is really the start of things to come.” Brian Mirakian, Populous senior principal and director

“We used to play in the arcades, but there’s not that many arcades anymore, so I decided to host some events. And the very first event I hosted was in my apartment, and only two people came,” Valle said. “We then went to a friend’s house and got 20 people and then to a friend’s garage and got 50, and the next thing we knew Wednesday Night Fights was born. When Esports Arena first opened, I knew this was going to be the future. We had over 400 people come out to our first event.”

Earlier this year Esports Arena opened in Oakland’s famed Jack London Square, and Allied Esports International worked with Endres to open an Esports Arena inside the Luxor Hotel & Casino in Las Vegas. While the Oakland venue is similar in feel and size to the original in Santa Ana, the Las Vegas arena is unlike anything else in the space right now. They took over a 30,000-square-foot corner of the casino that once housed a popular nightclub and put in a 50-foot LED video wall, a broadcast center and production studio, luxury VIP lounges, private gaming suites, a vintage video game cocktail bar and a gamer-inspired menu created by renowned chef (and occasional gamer) Jose Andres. The Esports Arena Las Vegas played host to the League of Legends All-Star event and puts on tournaments in games like Mario Kart 8 Deluxe and other titles on regular weekends. Provided by Riot Games

“We have very ambitious expansion plans over the next two years, and when we realized that a location at Luxor was possible, we jumped at the opportunity to develop our flagship here,” CEO of Allied Esports International Jud Hannigan said. “Just as Yankees Stadium, Lambeau Field and The Staples Center are considered their sports’ most aspirational venues by players and fans alike, Esports Arena Las Vegas will be the iconic destination in esports.”

Johnny Carson and Jay Leno’s pictures and old NBC logos are still plastered on the walls of Studio 1 at what was the old home of NBC Studios and “The Tonight Show” in Burbank, California. The building is now called Burbank Studios; Studio 1 is now called Blizzard Arena, and the old pictures and logos are the the last vestiges of “The Tonight Show” in Los Angeles before Jimmy Fallon moved it to New York in 2014.

Blizzard Arena, which opened last year, is the home of the Overwatch League with all competitions outside of the grand final taking place on the old sound stage Carson and Leno used to call home. The 11,000 square-foot sound stage has been transformed into one of the most visually impressive esports venues in the country with a 13,000-pixel-wide 4 milllimeter LED wall and an LED halo hanging above the 450 seats. It’s just part of the 74,000 square-foot, five-level facility Blizzard Entertainment took over and transformed into their new home last year.

“I was giving a tour one day, and I told some players this is where Johnny Carson used to do ‘The Tonight Show,'” said Frank LaSpina, senior producer of Overwatch League and Blizzard Arena. “They just looked at me confused. So I said, ‘He did ‘The Tonight Show’ before Jay Leno.’ And I got the same look. They were so young so I said, ‘before Jimmy Fallon’ and they said, ‘Oh, that’s cool.’ There’s a lot of history here, and there’s this interesting dichotomy where the future of sports and entertainment is happening in a facility that has been around since the 1950s. It’s totally up to date, but ‘Days of Our Lives’ still films down the hallway, so that cool dichotomy still exists.” Members of Team Pacific compete during the Overwatch League All-Star event on Aug. 25 at Blizzard Arena in Burbank, California. Photo by Robert Paul/Provided by Blizzard Entertainment

The Overwatch League currently has 20 teams affiliated with cities all over the world, but those teams currently play all their regular season games in Burbank. The tentative plan is for the teams to play in their home cities as early as 2020, which would be the league’s third season. The Los Angeles Valient has already announced they will play their home games at the Microsoft Theater across the street from Staples Center. It is believed that the Los Angeles Gladiators would play their home games in the amphitheater being built next to the future home stadium of the Los Angeles Rams, which will be completed in 2020. Stan Kroenke owns both the Rams and Gladiators.

For now, however, the hub of esports is still in Los Angeles, and the epicenter of some of the biggest events planned around the world is at Riot Games, which is the developer and publisher of League of Legends. The home venue for the League Championship Series, the LCS Arena, is conveniently located across the street from the company’s campus.

“When we started the LCS in 2013, we had no live audience, and we were literally separating the teams with curtains,” said Chris Hopper, head of Esports for North America for Riot Games. “We moved to a soundstage in Manhattan Beach in 2014, but by 2015 we had the opportunity to set up shop on campus, and it was a great solution for all of our needs. We wanted to create a home base where our teams, talent and staff could build their presence and hone in on their craft.” A Team SoloMid fan cheers during a match at the LCS Arena in Los Angeles. The venue is home to the League of Legends Championship Series during the spring and summer splits. Provided by Riot Games

The LCS Arena seats about 400 fans, and like the Blizzard Arena stages all the competitions during the regular season before they go on the road for the finals. While the LCS Spring and Summer finals are held at NBA arenas such as Oracle Arena in Oakland or TD Garden in Boston, the League of Legends World Championship finals are often held in stadiums such at the Bird’s Nest in Beijing in 2017 and Incheon Munhak Stadium in South Korea in November.

When people talk about the popularity of esports and bring up a picture or video of a stadium filled for an esports competition, chances are they’re looking at a League of Legends event.

“There’s always something incredible about going to these massive venues like the Bird’s Nest,” Hopper said. “As a former soccer player, there was something special about going to the Seoul World Cup Stadium and standing on a field where World Cup games took place. We’ve been lucky to have so many of our events take place in such iconic venues.”

The goal for esports teams and leagues now is to build their own iconic venues that future fans and players can look forward to visiting and playing in.

“That day is coming,” Mirakian said. “It’s going to happen sooner than people think.”

Source: http://www.espn.com/esports/story/_/id/25602388/no-one-mold-esports-venues-arenas-continue-grow

Esports Entertainment Group $GMBL – #Esports Legends Launch #Popdog With $9 Million Funding Round $ATVI $TTWO $GAME $EPY.ca $TCEHF

Posted by AGORACOM-JC at 4:29 PM on Wednesday, December 19th, 2018
SPONSOR: Esports Entertainment $GMBL – Esports audience is 350M, growing to 590M, Esports wagering is projected at $23 BILLION by 2020. The company has launched VIE.gg esports betting platform and has accelerated affiliate marketing agreements with an additional 42 Esports teams, bringing total to 176 Esports teams. Click here for more information.
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Esports Legends Launch Popdog With $9 Million Funding Round

By GERA

  • The company is called Popdog, and will be starting things out with a $9 million Series A funding round led by Makers Fund and Korea Investment Partners.
  • “We’re building our company around the core belief that eSports and gaming video content, born more from technology than any other sports or entertainment verticals we’ve seen, need better technology in order to be properly understood, monetized, and optimized,” says company CEO 

Evil Geniuses CEO Alexander Garfield is heading a new eSports technology and services company which will develop products aimed at optimizing live streaming for tournaments, talent, and publishers, it was announced today.

The company is called Popdog, and will be starting things out with a $9 million Series A funding round led by Makers Fund and Korea Investment Partners.

“We’re building our company around the core belief that eSports and gaming video content, born more from technology than any other sports or entertainment verticals we’ve seen, need better technology in order to be properly understood, monetized, and optimized,” says company CEO Garland in a prepared statement.

“The industry needs a backend, and our mission is to be that backend by supporting the ecosystem as a whole with a comprehensive offering of technology and services. This funding brings us one step closer to fulfilling that mission. We’ve already assembled an incredible team of industry leaders, product experts, and eSports veterans, and
we’re excited to begin rolling out a suite of products that we think will make operating in the space transparent and scalable, as opposed to opaque and speculative.”

Alexander Garfield, a two-time winner of The International tournament, is perhaps best known for his role in helping to build pro-gaming organizations Evil Geniuses and Alliance into eSports heavyweights. Garfield later sold the teams’ parent company GoodGame to Twitch in 2014.

Alongside Garfield, Popdog’s co-founders include CTO and CPO Andreas Thorstensson, a former Counter-Strike world champion who Co-Founded SK Gaming; CSO Niles Heron, consultant who has taught and mentored at accelerators such as TechStars, Gener8tor and Detroit’s TechTown; and CCO Colin DeShong, the former COO of GoodGame, Evil Geniuses, and Alliance, where he was Garfield’s long-time partner.

Source: https://variety.com/2018/gaming/news/esports-alexander-garfield-ninja-popdog-1203092901/